Test Information Guide
Field 16: Music
Sample Aural Items
Sample Test Directions for Aural Items
This section of the test includes questions that involve listening to a recorded passage. Passages will vary in length. Some passages may consist of a single chord or phrase. In these cases, the passage will be repeated. However, unless otherwise indicated, each passage will be played only once.
The audio will begin automatically once you advance to the next screen. There will be 20 seconds of silence before the audio passage begins to play. During these 20 seconds, you should familiarize yourself with the test question.
Once the audio begins, you will not be able to pause, stop, or replay it. Therefore, listen carefully. You will not be able to go back and review your answers to questions in this section of the test. Once you move to the next question, you will not be able to go back to previous questions in this section. Therefore, be sure to select your answer carefully before you move to the next question.
Click the Next button when you have finished reading these directions and are ready to begin the listening section of the test. Be sure you have your headset on before proceeding.
Sample Items
Objective 0019
Recognize characteristics of Western (European) music from 1750 through 1900 in a musical recording.
1. Which of the following composers most likely wrote this excerpt?
(The examinee would listen to a one-minute excerpt from the Coriolan Overture, Op. 62, by Ludwig van Beethoven.)
- Hector Berlioz
- Carl Philipp Emanuel Bach
- Pyotr Ilyich Tchaikovsky
- Ludwig van Beethoven
- Answer
- Correct Response: D.
Correct Response: D.
The next section of this test includes questions that require the identification of musical errors. While listening to the musical example, read the score shown. Select the best response to the question presented. Each example will be played twice.
You will not be able to go back and review your answers to questions in this section of the test. Once you move to the next question, you will not be able to go back to previous questions in this section of the test. Therefore, be sure to select your answer carefully before you move to the next question.
Objective 0011
Identify performance errors in a recording of a musical score.
2. Use the score below and listen to the excerpt to answer the question that follows.
Three staves connected with a bracket. Moderato. First staff is soprano, second is alto, third is baritone. Soprano and alto are played in treble clef, baritone in bass clef. All staves are played with three over four time signature in the key of B flat major. For all three staves, the first measure should be played gently. Soprano, measure one. Quarter rest. Quarter rest. Quarter note on A to be played mezzo piano. Measure two. Dotted quarter note on B. Eighth note on C. This B and C are connected with a slur. Quarter note on D. Measure three. Half note on C. Quarter note on C. Measure four. Quarter note on B. Eighth note on B. These two notes are connected with a tie. Eighth rest. Measure five. Quarter note on G. Quarter note on G. Quarter note on C. Measure six is shaded. Half note on E. Quarter note on D. Measure seven. Half note on C. Quarter rest. Alto, measure one. Quarter rest. Quarter rest. Quarter note on middle C played mezzo piano. Measure two. Half note on F. Quarter note on F. Measure three is shaded. Half note on E. Quarter note on E. Measure four. Half note on B. Eighth note on B. These two notes are connected with a tie. Eighth rest. Measure five. Quarter note on middle C. Quarter note on D just below staff. Quarter note on E. Measure six. Half note on F. Quarter note on B. Measure seven. Half note on A. Quarter rest. Baritone, measure one. Quarter rest. Quarter rest. Quarter note on D played in mezzo piano. Measure two is shaded. Dotted quarter note on D just above middle C. Eighth note on middle C. These two notes are connected with a slur. Quarter note on B just below middle C. Measure three. Half note on A. Quarter note on A. Measure four. Quarter note on G. Quarter note on B just above staff. Eighth note on B just above staff. Tie connecting the two bees and a slur connecting the G to the second B. Measure five is shaded. Quarter note on E. Quarter note on F. Quarter note on G. Measure six. Dotted quarter note on F. Eighth note on G. Slur connecting these two notes. Quarter note on F. Measure seven. Half note on F. Quarter rest.
(Excerpt: Original music. The alto sings an F instead of an E on the downbeat of measure 3. Errors are shaded.)
In this excerpt, which of the following performers makes an error in pitch? (The excerpt will be played twice.)
- the baritone in measure 2
- the alto in measure 3
- the baritone in measure 5
- the soprano in measure 6
- Answer
- Correct Response: B.
Correct Response: B.
Objective 0001
Understand the components of a score.
3. Use the example below to answer the question that follows.
A high school director is arranging a piece from the Baroque period for string orchestra. Which of the following would be the correct realization of the ornamentation symbol in this example?
- Answer
- Correct Response: C.
Correct Response: C.
Objective 0003
Understand the elements of harmony.
4. Use the example below to answer the question that follows.
Grand staff consisting of treble and bass clef. Andante. Both staves are played with three over four time signature in key of F major. Piece begins in mezzo forte, and there is a decrescendo all throughout measure three. Treble clef played in key of F major. Measure one. Two beamed eighth notes, one on C and the other on B. Two more beamed eighth notes, one on A and the other on G. Quarter note on F. Measure two. Two beamed eighth notes, one on B and the other on C. Two more beamed eighth notes, one on D, the other on E. Quarter note on D. Tie connecting the first note in measure one to the last note in measure two. Measure three. Two beamed eighth notes, one on E and the other on D. Two more beamed eighth notes, one on C and the other on D. Quarter note on E. Measure four. Dotted half note on F. Tie connecting this note to the first note in measure three. Bass clef. All notes are played staccato. Measure one. Quarter note on F. Quarter note on A. Quarter note on C one ledger line above staff. Measure two. Quarter note on D. Quarter note on F. Quarter note on B just above staff. Measure three. Quarter note on C. Quarter note on E. Quarter note on G. Measure four. Quarter note on F just below staff. Quarter note on A. Quarter note on C.
What is the chord progression of this excerpt?
- Answer
- Correct Response: D.
Correct Response: D.